“Rob was an outstanding member of the team as composer on “Follow” and “The History of Spectacle Island.” His creative innovation and knowledge of composition enabled him to hone in on the storytelling. He was a leader in taking responsibility to meet challenging deadlines and provided quality results under pressure.”
“Rob’s compositions for the film “Our Mockingbird” and several American Experience films were exceptional. His musical skills are varied and many, and he is a pleasure to work with, often doing more than he’s asked, anticipating problems before they arise.”
John Kusiak, award winning composer of the Errol Morris film, Tabloid
“Rob is a caring professional who is fast, efficient, and attentive. We contracted him for voice recording and audio work and his deliverable format and organization changed the way we think about our audio pipeline. It was a pleasure working with him, and I look forward to doing so again.”
“Rob’s work went above and beyond what we imagined, creating intricately detailed, responsive audio environments combining music, ambiance and sound effects to help create a realistic 18th century world. Rob is a hands-on, precision artist who knows what needs to happen for his creations to come to life”
Helped composer P. Andrew Willis out this week, prepping scores and assisting on a recording session for the new comedy with Brian Posehn, Uncle Nick. We recorded multi-string player Beth Cohen. Beth is an expert in bowed string instruments from various cultures and often presents concerts where she performs on many of them. Today though our needs were rather vanilla as we just had her doubling on violin and viola.
Uncle Nick is the story of a family Christmas gone wrong, coupled with a back story about the 1974 Ten Cent Beer Night riot that overtook a Cleveland Indians baseball game. I’ve been a fan of Brian Posehn since The Sarah Silverman Show and co-star Scott Adsit from 30 Rock. This one looks to be a classic irreverent comedy.